Sumukh, Golak, and Laura sitdown and talk the LAST 15 & Killin' It, tweeting during shows, confrontation, pop culture references, becoming hack accidentally, Indian people, and parallel material.
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Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
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Thursday, October 17, 2013
Sunday, July 7, 2013
Sanjay A. Yelp Review: El Jalapeno
Sanjay A. is back! Check out his review of El Jalapeno Mexican Grill in Columbus, Ohio! (A.K.A. Bizarro Chipotle!)
Tuesday, June 25, 2013
The Way of the Stage
I love stand-up comedy, but I don't
necessarily ever read books on stand-up comedy. Whatever books have
been written about how to write jokes or find better ways to deal
with the art or the business have never caught my eye. I gave them a
shot, but then looked to other avenues. The books that draw me are by
the successful comedians, particularly ones I idolized as a child.
Steve Martin's Born Standing Up is
the best one yet.
Yet, I
also turn to other sources for perspectives on stand-up comedy
because I think that there are lines that can be crossed and where
other professions and experiences could help make me a better
comedian and person. It's why Georges St. Pierre's The Way
of the Fight is strangely the
best book on stand-up comedy that I've read all year (okay, I haven't
read many other books this year, but that should not discount the
statement).
On
paper, it wouldn't make sense. How could the life of a UFC champion
be comparable to a comedian or any artist? But, that was the point of
St. Pierre's book. It was to provide a biography of his life, yet
that dwarfed in comparison to it being a source of inspiration and
perspective for as many people as he could reach out to.
St.
Pierre spends much of the book discussing fear, and using it as a
benefit in life:
“The key, I discovered, is to
understand fear and how it works. What I want to do is demystify
fear. I don't have a choice, because fear walks next to you
everywhere in life. It has a reason for being there. People feel fear
because they sense a threat. Sometimes it comes from physical pain:
something unseen falls on your head, it hurts, and you're immediately
scared. That's normal, and what the fear is doing is telling you to
be careful, to get out of the way because it doesn't want something
else to fall on your head. So fear's purpose is ultimately
good—that's what people forget.” (53)
Fear
is a huge part of stand-up comedy, and a huge reason behind some of
the worst conversations I've had with audience members after a show.
There's always a person who says, “I've always wanted to try this”
or “I've got some funny things to say.” Well, why don't you say
them? They fear it. Who wouldn't? Who would want to get up on stage
and be judged by a crowd of people? I was fearful when I first
started. Every comedian had to be. But, you toss a few beers in, and
you see if the 5 minutes of what's probably hack that you've written
goes over well. Then, you keep at it, and the fear gradually goes
away and the confidence builds as long as you keep getting the
laughs.
Fear
has to still be in the minds of plenty of stand-up comedians at my
level or younger (maybe even older as well). There's still a lot to
think about before I head up on a stage in front of a crowd no matter
what the size. Questions run through my mind like, “Will they
understand my humor?” “Will I give them what they paid for?” or
“How many drunks are out there?” There's still the pressure that
comes with entertaining.
“Humility is the first rule of
martial arts. Either you learn humility quickly, or you leave because
your ego can't handle losing repeatedly. I don't like losing—nobody
does, especially in front of your girlfriend or your buddies (or
millions of people watching on pay-per-view television). But it's
good to realize you're not always as strong as you thought. It's good
in the long run.” (94)
Comedy
translation: bombing on stage. Every comedian's bombed. I certainly
have. But, as I mentioned in this month's Comedy Sitdown, on
occasion, I want to bomb for the reasons that St. Pierre points out.
As much as I may get laughs consistently for a few shows, one bombing
at a show is enough to put me back into my place, and allow me to
analyze myself and that situation to continue to get better.
“I like to watch the best athletes
in other sports and how they react or move in certain situations. It
helps me understand my own movements better. I break down their
processes, their reactions, their movements. They perform certain
tactics at speeds that are far greater than my own. It is good to see
them perform at these speeds, and to improve my ability to follow
their progressions.” (102)
If a
person decides to do comedy, I have to believe he or she made that
decision because of a love for stand-up comedy. You saw the greatest
who do it, and you felt inspired to do it yourself. That was the
basis for your roots and you can continue to use that through your
progression. But, there's a great value to continuing to watch
stand-up comedy both at a national and a local level. From a terrible
open mic to Louis C.K.'s newest special, to me, there's always an
opportunity to learn from the best and avoid the mistakes of the
worst.
There
are so many symbols that I could make revolving the notion of the
fight and I did so in a way with the experience of being a comedian as compared to that of a pro wrestler after reading C.M. Punk's GQ interview. As St. Pierre discusses how he handles an opponent, so
could I relate to the “fight” that occurs between the comedian
and the audience.
“At any given time, in life or in
battle, you only need to know two people to succeed: yourself and
your opponent.” (117)
The
audience at any comedy show isn't necessarily an opponent. They are
here to be entertained, and I have the opportunity to do that for
them. But, I have to make them laugh. That can be extremely easy or
extremely difficult depending upon the crowd and their sense of
humor.
“It's harder to know yourself than
to know the enemy. Because when it comes to yourself, you have all
these emotions—like pride, for example. You get carried away with
your own emotions. In some of my fights, I lost control of myself,
but if I'd known myself properly I would have calmed myself down
immediately.” (117)
Emotions
appear at their height when the audience becomes an opponent. I'm
always fascinated about how a comedian reacts to a heckler or to
bombing. I try to improve on that myself. I'd like to think I've
never had a meltdown on stage in seven years, but I likely had a
minor one. I've certainly witnessed a lot of meltdowns. Again, it's
about learning to control those emotions in the same way and still
not completely change who you are on stage.
“Sometimes you need someone from
the outside to take a good look at you and tell you the truth. Tell
you what's really happening. Sometimes you don't realize what kind of
person you are; you need that external feedback.” (125)
Much
of what I learned along the way with stand-up comedy came from
comedians I didn't necessarily know all that well (either at the time
or even now). I have to appreciate and at least take into
consideration the perspectives of those who have more experience than
I do and that who I respect when I see on stage. Likewise, unless
you've proven yourself to be a complete idiot when conversing with
me, I appreciate feedback from the audience. It's normally positive,
and I've actually modified jokes based off inaccurate factual content
thanks to audience members educating me.
“I believe that real friends are
truth-sayers. They'll tell you when you're full of crap, or when
you're being lazy, or when you're being rude, or when your ass looks
fat in those jeans...” (129)
I
simply like this quote because that's the type of friend I try to be
and hopefully am, and those are the type of people that I try to
surround myself with. Then again, I surround myself with comedians,
and if they're not truth-sayers, I don't know who the hell is.
There
are many other quotes and general stories from the book that could
help people out, and maybe to some people, these are pretty standard
inspirational messages. But, this is coming from a champion, a guy
that got bullied as a kid, did not seem to have the pure genetics to
be athletically gifted yet worked diligently and intellectually to
succeed at his skill. These are the type of people I would want to
embody as a comedian and as a person, and I would think others who
try to be the best would want to as well.
I'm
not the biggest UFC fan by any means. I didn't even know the half of
the fights he was talking about. But, nevertheless, Georges St.
Pierre's The Way of the Fight
is worth reading for the stand-up comedian that continues to want to
get better at what he or she does. Even if one world is filled with
muscles and the other filled with dick jokes and alcohol, I'm
convinced the octagon isn't that far off from the comedy stage.
Tuesday, June 18, 2013
The Comedy Sitdown - Episode 006
Sumukh, Golak, and Laura sitdown and talk bombing, taking on crowds, writing new material, the age to start comedy, comedy skill acquisition, starting comedy old/young, being a comedy fan, and comedy snobbery.
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
Monday, June 17, 2013
Sundai's Num Nums
I've noticed a recent trend of parents forcing allowing their children to start "foodie" blogs. I can only assume they use the word "foodie" because it would be uncouth to label a small child an "asshole." Anyways, I fell in like with the idea. But I have no child! Or HAD no child. I adopted a child! Not in the gross "raising" one kind of way. More in the I send 35 cents to Africa every month and they send me a picture kind of way. I give him money, someone else raises him, and I cross my fingers (but don't lift one) and hope he turns out okay. Ooo, I feel like a Dublinite already!
So, now I have Sundai. A nice young boy from Africa. I send him money every month. He sends me a letter every month. With one twist. I've asked Sundai to include a "foodie review" of the local cuisine at the end of each of his correspondences. I will type out those reviews on this blog and title them "Sundai's Num Nums." Here's the first of hopefully, malaria-contingent, many blog post by Sundai. Enjoy!
So, now I have Sundai. A nice young boy from Africa. I send him money every month. He sends me a letter every month. With one twist. I've asked Sundai to include a "foodie review" of the local cuisine at the end of each of his correspondences. I will type out those reviews on this blog and title them "Sundai's Num Nums." Here's the first of hopefully, malaria-contingent, many blog post by Sundai. Enjoy!
Today's meal, while fraught with some minor issues, was simply delightful! I started off the dining experience with a small wooden bowl of long grain white rice. Marvelous! The texture of the rice was sublime perfection. The flecks of white mushed in my mouth with a slight bite at the center of each delicious kernel. The rice had an interesting and intriguing flavor. As if it had been cooked in a broth or some sort of flavor-infused water. Upon consulting with the chef, I found out the latter was true when the he informed me that, in fact, the water that was used to cook the rice had also been used to wash the villagers clothes earlier that day. Local flavor indeed!
The meal was accompanied by a enjoyably warm glass of the same water that the rice was cooked in. A perfect pairing! This flavor melding made the food and drink blend together in to one incredible culinary experience. Definitely worth the risk of Hepatitis A!
What dining experience would be complete without desert? Not one I wish to know. After completing the first, and only, course of today's palate excursion, a truly unique and sweet snack was sent to me to cap off the evening. A Typhoid Fever vaccine! A little bitter at first, when left to explore the inches and crevices of an awaiting tongue, other, more pleasurable, flavor notes began to emerge. A bitter-sweet combination that paralleled a rich, dark chocolate. (Note: I've never had dark chocolate, but I am making the parallel based off what the white missionaries in my village have told me about the delectable treat.) The bitter onset of the meal-capper was also balanced out by the fact that it would prevent me from dying.
That is all for this edition of Sundai's Num Nums. I hope, like, seriously hope, to be able to make another entry soon. Until then, Num Num!
Wednesday, May 29, 2013
You're Not Good (And You're Probably Not A Comedian)
"The thing about being a comedian is, the very first time you do it you're introduced and walk on stage as a comedian...You start right in the middle of your career."
-Jerry Seinfeld
Here's the thing. If you're doing comedy in Columbus, you're probably not good. I've been doing comedy almost 7 years now, and I'm not good. Mostly because there is no "good." Art of all kinds isn't about being good, it's about a constant trajectory of improvement and creation. And just think about "good." It's such a lofty word. It doesn't sound like much. But it is. Good. Only very good and excellent (or variants there of) really eclipse it. Is anyone doing comedy in Columbus, OH two steps away from the national touring acts you consider excellent?
And you're probably not a comedian. Have you thought about quitting your job, going part time, or anything resembling that? If you are in the freshman year of a business degree, are you the CEO of Nationwide? You're "doing comedy." The same way you're "in school." You're not a comedian. Few are, so it's ok.
Are you succeeding? You might be reaching preliminary goals, but you're not succeeding. Why? Because you live in Columbus, OH. This is not a town where success in the arts happens. Have you moved--or even considered it? That's the basement of potential success. Get there and then START succeeding...MAYBE.
That might sound cruel, but you have to move. It's not a bash on the city to be realistic. Sure, Columbus is a great place to raise a kid, grab a beer or some food, and have a solid life, but it's not an art Mecca. Again, not a slam. There's only 2-4 of those. NY, LA, and the floaters (your Chicago's, San Fran's, and the like depending on the decade). Saying that the Yankees are the best team in all of baseball isn't a slam on the Clippers. Great team. Great Ballpark. Not the Yankees. And any player that is the best Clipper but never made it in the MLB is not good. He's good comparative to those who've never tried or tried and failed, but he's not good compared to ALL of baseball on all levels. And to hear him talking as such would be embarrassing to him and baseball.
It's hard. The myspace era has created an era of self-promotion. But that has fed into its dark cousin--self-aggrandising and delusion. Self-promotion is the way of the future. And it's mostly a good thing. Scalpeling the suits out of the arts. Keeping money away from the needless and useless. But walk that line strict and don't become a douche.
Learn to walk before you run and realize you have to walk for a while. And Columbus is a good place to walk, but you won't find any race tracks here. Learn to walk well, then move to a place with a few race tracks. And while you're walking, stop telling people how good you are at walking. And by all means, don't tell people how fast you're walking--it'll only make people realize the fact that you're not running yet.
-Jerry Seinfeld
Here's the thing. If you're doing comedy in Columbus, you're probably not good. I've been doing comedy almost 7 years now, and I'm not good. Mostly because there is no "good." Art of all kinds isn't about being good, it's about a constant trajectory of improvement and creation. And just think about "good." It's such a lofty word. It doesn't sound like much. But it is. Good. Only very good and excellent (or variants there of) really eclipse it. Is anyone doing comedy in Columbus, OH two steps away from the national touring acts you consider excellent?
And you're probably not a comedian. Have you thought about quitting your job, going part time, or anything resembling that? If you are in the freshman year of a business degree, are you the CEO of Nationwide? You're "doing comedy." The same way you're "in school." You're not a comedian. Few are, so it's ok.
Are you succeeding? You might be reaching preliminary goals, but you're not succeeding. Why? Because you live in Columbus, OH. This is not a town where success in the arts happens. Have you moved--or even considered it? That's the basement of potential success. Get there and then START succeeding...MAYBE.
That might sound cruel, but you have to move. It's not a bash on the city to be realistic. Sure, Columbus is a great place to raise a kid, grab a beer or some food, and have a solid life, but it's not an art Mecca. Again, not a slam. There's only 2-4 of those. NY, LA, and the floaters (your Chicago's, San Fran's, and the like depending on the decade). Saying that the Yankees are the best team in all of baseball isn't a slam on the Clippers. Great team. Great Ballpark. Not the Yankees. And any player that is the best Clipper but never made it in the MLB is not good. He's good comparative to those who've never tried or tried and failed, but he's not good compared to ALL of baseball on all levels. And to hear him talking as such would be embarrassing to him and baseball.
It's hard. The myspace era has created an era of self-promotion. But that has fed into its dark cousin--self-aggrandising and delusion. Self-promotion is the way of the future. And it's mostly a good thing. Scalpeling the suits out of the arts. Keeping money away from the needless and useless. But walk that line strict and don't become a douche.
Learn to walk before you run and realize you have to walk for a while. And Columbus is a good place to walk, but you won't find any race tracks here. Learn to walk well, then move to a place with a few race tracks. And while you're walking, stop telling people how good you are at walking. And by all means, don't tell people how fast you're walking--it'll only make people realize the fact that you're not running yet.
Tuesday, May 14, 2013
The Comedy Sitdown - Episode 005
Sumukh, Golak, and Laura sitdown and talk pussy, doing comedy in other cities, traveling, open mics, out of town comics, women being funny, bitting, and getting help with your jokes form other comics.
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
Tuesday, April 16, 2013
The Comedy Sitdown - Episode 004
Sumukh, Golak, and Laura sitdown and talk about joke stealing, hack, performing at outdoors and at festivals, setting up spaces for comedy, crowd response, fat guys eating, crowd sizing, and performing in theaters.
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
Tuesday, March 12, 2013
The Comedy Sitdown - Episode 003
Sumukh, Golak, and Laura sitdown and talk about talking to people about being a comedian, telling a joke to a single person, bar jokes, hecklers, opening for someone, being mean, performing for your significant other's parents, and heckler responses.
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
Tuesday, February 12, 2013
The Comedy Sitdown - Episode 002
Sumukh, Golak and Laura sitdown and talk about dating a comic, dating as a comic, the comedy lifestyle, clean comedy, clean shows, what is censorship and what is good business, and rape jokes.
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
New episode the third Tuesday of every month.
More info on:
Sumukh Torgalkar
Justin Golak
Laura Sanders
15 & Killin' It
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